Books

Books
Books written by Ray Sullivan
Showing posts with label Createspace. Show all posts
Showing posts with label Createspace. Show all posts

Sunday, 28 December 2014

Createspace Expanded Channel - What's the Point?

Like most sensible self published authors I publish through Amazon and all the other mainstream publishing outfits via Smashwords distribution. Not that I'm selling particularly significant numbers, Apple, Kobo, Barnes & Noble and Smashwords itself have all sold copies of my books recently whereas Amazon has literally flat-lined following the launch of Kindle Unlimited. I can't join that club because I refuse to publish exclusively through Amazon, my choice and one that I'm sure Amazon don't care about.


I also publish through Amazon subsidiary, CreateSpace. This permits those who want to read my books but prefer to kill trees as opposed to reading eBooks. The quality is good, the service is really author-friendly but the unit costs are high. Consequently I sell even fewer paperbacks than through any other channel and expect that most other self published authors have similar experiences.


A few months ago CreateSpace invited me to add some new sales channels to my books - they call it expanded distribution and it aims to get your books in front of libraries and universities in the US. I didn't pay too much attention when I added the new channels - I hardly sell paperbacks -but did notice that the US prices were automatically hiked by about $3 - $4 a book, making them even more expensive. I did briefly consider reversing the choice as I don't want to penalise readers for choosing print, but I guess I ran out of time and never revisited the situation.


Then the other day I discovered that a copy of Project: Evil had been sold in the US at the inflated price and had net me $0.06 in royalties. Now I guess Amazon, CreateSpace and possibly some middleman bookstore have all made some money from this sale and I'm guessing I'm the only one who only racked up $0.06, less 30% US tax as I can't get my head around the exemption documentation for the IRS, so nearer $0.035 by the time we're done. I'll take a cheque if it's alright with Amazon.


Needless to say I've removed the expanded distribution option and dropped all my US prices to suit, so if you've been looking at my print books and thought they are pricey - they are but they were more so - then please note I've trimmed the price pretty much as low as I can without paying Amazon for the privilege of printing them for you. If anyone knows of an author benefit from this distribution channel then I'm all ears, because I can't find anything on the CreateSpace site that explains it.


If you are a self published author using CreateSpace then I suggest you review your channels.



---------------------------------------------------------------------------------------                                                         
Visit my Book Website here



    

        Follow me on Twitter  - @RayASullivan



Friday, 4 April 2014

Assassin Avalable For Pre-order Now

Assassin
 

As mentioned in a recent posting, I intend to use the pre-order process for my latest book 'Assassin'. For those of you completing a book for publication I can assure you that the process is fuss-free. The Smashwords forms guide you effortlessly to the point where you can release the book instantly, which historically has been the normal route for Smashwords, or you can set up a deferred date. All of the component parts - book, cover, blurb, etc need to be in place but you can go back and make edits before the release date if you need to. Personally I would recommend getting the book as right as you can before starting this step.

Irritatingly the pre-order only works on the stores Smashwords distributes to - Apple and Barnes & Noble being the most influential, but not at Smashwords itself.  What this means is that you can accrue pre-orders at the main bookstores, but not at Smashwords itself.

Once you have submitted your work you will probably need to do the customary dance with Smashwords - I had to do a little reformatting again and the auto-Vetter kept telling me I hadn't uploaded a cover when I had, but all in all it was quite painless. As I've mentioned before, it's worth importing the whole novel into WordPad, then back into Word. This removes all formatting from your manuscript, including the odds and sods that Word inevitably introduces over the gestation of the book. As Assassin has been written over a seven year period it is likely that the original file was quite buggy. An hour reformatting sorted out the remaining issues. Be prepared for a delay in the book appearing, though.  Assassin took about two days to appear at Barnes & Noble but a week to appear at the Apple store.  Due to a backlog all new books are taking a lot longer at Kobe, perhaps due to the transfer of the Sony store. If a link appears before release I'll add it.  The following links are to just one of the stores - you may need to search your own region to find the book locally.

Assassin is available to pre order at Barnes and Noble on this link

And Assassin is available to pre-order on iTunes at this link

What about Amazon? I hear you say.  Good question, it seems that Amazon don't support 'self-service' pre-orders.  If they want to set a book for pre-order they can, and I guess they do this for the bigger authors all the time, but for those of us hopefully on the way up, it's a no, I'm afraid.  What this means is that I will have to wait until Assassin is released on the 1 May then upload the files to Amazon and CreateSpace - that may not happen until the weekend following the launch I'm afraid.  If you want a Kindle version sooner, then I would recommend you pop along to my Smashwords page and buy a copy direct from them.

---------------------------------------------------------------------------------------                                                         
Visit my Book Website here


 
        Visit Project: Evil Website here                                        Visit DLF Website here

        Follow me on Twitter  - @RayASullivan

        Join me on Facebook -  use raysullivan.novels@yahoo.com to find me

Tuesday, 3 September 2013

Amazon Come Out Fighting - Buy One Book, Get eBook Version Free

Amazon have been on the back foot in recent weeks.  Apple are selling as many eBooks as Amazon are and Smashwords have introduced a few innovative schemes to make their distribution channels more appealing.  Probably the most exciting of these to authors is the pre-order system that I wrote about a week or so ago.  With this an author can upload a book ahead of official launch, advertise it through their blog, website, word of mouth, whatever works for them, and then sit back and let their fans pre-order their copies.  On the given launch day all the pre-orders are shipped in one hit and the author stands a better chance of creeping up the charts, finding him or herself exposed to new potential readers.  Throw in a launch discount price and you might just get a few extra readers.

Of course Smashwords has always been more flexible than Amazon.  With the big A, unless you commit to being exclusive to them via their KDP Select program, you can't easily discount books.  You can drop the price but you get hammered on the royalty rate and the zero option appears to only apply to those who sign up for Select.  With Smashwords you can promote books for free any time you like, or you can drop the price to $0.99 and still retain the 60% royalty rate.

And Smashwords has just forged an alliance with the biggest eBook seller in India.  eBooks are only just taking off on the sub-continent, by all accounts, but India has the largest concentration of English speaking and reading people on the planet.   It's been well documented that India is a major growth market so it's welcome news that our books can be accessed there readily.  The only issue I have with Smashwords right now is that they have a one price fits all attitude.  Amazon allows me to charge different rates in different regions, within some arbitrary parameters.  I'd like to make my books in India be priced more realistically for the locals, not based on US and European price expectations.

But Amazon have just produced one extra no cost promotional tool for authors that Smashwords cannot compete with.  They are allowing authors to let them sell eBook versions of their books at a discount to customers who buy the paperback or hardback version.  And when I say discounted, it can be as low as zilch.

That's right, you can let those who choose to buy your book in print to obtain an electronic version for their Kindle for free at the same time.  I've just set my books up on Amazon to allow this pricing and it should permeate through to the bookstalls over the next few hours, but I doubt they will allow anyone to pick up a free eBook retrospectively, so apologies to those who have sunk their hard earned cash into my paperbacks.  But I'd say it's worth a try if you have bought one of my paperbacks previously and certainly if you contact me with evidence you've bought my books in print I can work out a way to get free electronic copies to you, even if Amazon won't.  But try them first, they might just bite!

------------------------------------------------------------------------------------

                                                          Visit my Book Website here
Books
        Visit Project: Evil Website here                                        Visit DLF Website here

        Follow me on Twitter  - @RayASullivan

        Join me on Facebook -  use raysullivan.novels@yahoo.com to find me

Monday, 22 July 2013

Journeymen II is Published

The publishing process gets, I guess, easier each and every time I do it, yet paradoxically makes me feel it could be slicker than it is.  Anyway, as I mentioned in my last posting I did this the opposite way to my previous attempts, starting with CreateSpace.  That went better than I thought possible and despite my assumption that I'd have to wait until the week started before the book would be reviewed it was up on CreateSpace's website for sale within a couple of hours and by Sunday UK time it was on Amazon.

One feature I haven't looked at previously is the one on CreateSpace that lets you publish on the Kindle using the same files and images.  It's not that I don't think it's a good idea, it's just that until this attempt, I'd done all that before going to CreateSpace.  Well, part of the routine doesn't seem to work in that it implies that when you push the button your file will whizz off to Amazon and will appear as a formatted eBook in due course.  Perhaps it will, but I'm not that patient.  But what it does do on that particular page, probably always has done and I've just not noticed it before, is that it allows you to download an 'Kindle ready' copy of your book which actually looks a heck of lot like the CreateSpace ready version I uploaded to them including page numbers that you wouldn't expect in an eBook and it lets you download a copy of the CreateSpace book cover for use on your Kindle submission.

Now for aspiring self publishers, this is a really useful feature, especially since Apple and Amazon upped the requirements for book images in the last year or so.  As long as you can make a cover you're happy with using the CreateSpace tools then you can re-use it across Amazon and Smashwords, and therefore Apple, B&N, Sony etc.  I've just used it not only for Journeymen II but also for a couple of my other books to standardise my images.  The downside is that CreateSpace haven't improved the range of images and features in the last two years.  This really is one area that they could look at improving, but perhaps that's the idea as I kept tripping over offers to produce book covers starting at 'only' $299.

But the long and short is that it is worth looking at publishing with CreateSpace before the eBook versions just to get a cover you can use.  After that it's your choice whether you work on the Kindle version or the Smashwords version.  As usual Smashwords is pickier than Amazon, but to be fair Amazon only has the one version to worry about, Smashwords tries to accommodate all formats at once.  Hence if you look at my Smashwords version you'll notice I don't have a first line indent, but on Amazon I do.  I prefer the first line indent, but Smashwords aren't keen and although they say it can be achieved, it ain't easy.

Pricing across the three media isn't consistent, which I know is considered a big no-no, but I can't do much about the cost of CreateSpace books, unfortunately.  Most of the price is split between them and Amazon, a few grains left over for the author.  Quite a bit like conventional book publishing, I guess.  Amazon have an irritating habit of forcing the price of eBooks up, which may surprise many newbie authors and general readers as I'm sure you know they have a lot of low price eBooks on sale.  But drop below $2.99 per book and they take 65% of the purchase price; make it $2.99 or more and they only take 30% of the price.  This forces authors to price higher, especially when they try to recall where Amazon were when they were struggling with a plot sequence.  Smashwords takes a trivial cut if readers buy direct from them and  you'll end up with about 60% as a worst case scenario through the channels they distribute to.  Hence authors can afford to market their books for less and not feel dirty after every purchase.

Anyway, if you want to take a look at Journeymen II: Day of Reckoning you'll find it on Amazon and Smashwords right now.  If you want to see it on Apple and the other eBook publishing sites then you'll have to wait a few days while Smashwords ports it across.  Take a look, I hope you enjoy the yarn.
------------------------------------------------------------------------------------

                                                          Visit my Book Website here





        Visit Project: Evil Website here                                        Visit DLF Website here

        Follow me on Twitter  - @RayASullivan

        Join me on Facebook -  use raysullivan.novels@yahoo.com to find me

Saturday, 20 July 2013

Journeymen II is on its way

I've reviewed the text until I'm cross-eyed and tweaked my tweaks until my eyes watered.  So now I've taken a deep breath and started the publication process.  In a break from tradition - well it is my seventh novel so I can claim to have established some sort of tradition by now - I've decided to go for the CreateSpace paperback form first.

In my previous books I've produced the eBook version first, then added the bits needed for a paperback.  This time around I've chosen to do the paperback first in part because converting for eBook format is largely subtractive from a paperback formatted document - I remove page numbers and blank pages that are there to format the book for print.  The other reason is that CreateSpace reckon that they will arrange for the book to be formatted as an eBook on Kindle automatically, transferring my book cover at the same time.  I've never tried this approach before and decided it was time I did if only to report back to the writers who follow this blog on how effective it is.

However I have to wait at least 24 hours for the print review, and as I submitted on a Saturday I'm expecting the reply to arrive early next week.  Assuming that my efforts are deemed acceptable then the paperback should be on Amazon and Createspace's own website by the end of the week.  It should, all being as advertised, be on the Kindle store in eBook format pretty soon after that..

I did try to upload a photo depicting London's cityscape for the book cover - the majority of the book takes place in London - but the cover designer didn't seem to like it.  It kept telling me that my upload was fine, that there were no errors in my submission, but it wouldn't let me complete with that picture. So I took a lazy approach and used the same image as I used for the original Journeymen paperback but changed the text background to brick red.  As this is the second Journeymen book I guess I now have a series, albeit a short one at present, so having a common cover with different colour schemes seems reasonable.

So for those who haven't read the original book - it's very accessible and a darned good read if you're interested - here's a potted explanation about who and what the Journeymen are.  I'll try not to spoil the first book and you can read the second book without reading the first or this potted description, but you may find yourself scratching your head over some of the terminology if you do.

The Journeymen are the descendants of aliens from a planet 9 light years away that have been walking the Earth for the last 6000 years or so.  They arrived with a group that has chosen to break away from them, now known as the Sons of Arlgon, or the Sons.  Same species, different attitudes, mortal enemies.  The Journeymen are here because their ancestors formed a settlement here tens of thousands of years before they pitched up.  Their journey, taking three generations aboard a spacecraft housed on a comet that circles both Earth and the home planet every two thousand years, was undertaken to secure the DNA of their ancestors to help redress the ravages of a terrible war sometime between the original Journeymen and the second batch.  Those original Journeymen are known as Colonists, and by the time the Journeymen arrived here 6000 years ago they had become the controlling entities on Earth.  Many think they still are.  The Journeymen undertook to help preserve the purity of the Colonist bloodlines while driving the technology on Earth to reach a state where it could be used to transport the Colonist DNA back to the home planet.  To do this they inserted themselves into the fabric of society, manipulating the human race so that it developed the technology needed while keeping a close eye on the Colonists.  To complete the naming convention, those humans who are not Journeymen, Sons or Colonists are named Interbreds, or IBs.  That's almost certainly you or me, by the way.

In Journeymen II: Day of Reckoning we find ourselves in the situation where robust DNA cultivating technology has been developed, as has deep space travel.  The Journeymen decide they don't need the Colonists anymore, but realise that the Sons won't want the Journeymen wielding any more power than they do right now.  Their solution is to take the Sons out in a mass cull, starting in the United Kingdom where one of the last truly influential Colonist lines still exists.  If you can't work out who I'm talking about, then send me a stamped addressed envelope.  But look at the stamp before you post it and you many work out who the Colonists are.

I still have to do the leg work for formatting for Smashwords so that I can get the book out to Apple, Barnes & Noble, Kobo, WH Smith etc and of course CreateSpace may not be 100% happy with my submission.  Either way, I'll keep you informed.

------------------------------------------------------------------------------------

                                                          Visit my Book Website here





        Visit Project: Evil Website here                                        Visit DLF Website here

        Follow me on Twitter  - @RayASullivan

        Join me on Facebook -  use raysullivan.novels@yahoo.com to find me

Monday, 1 July 2013

Journeymen II - Coming Soon

Regular readers might have noticed that I haven't been posting much lately, in fact I haven't posted for about a week.  It isn't summer 'Flu or a dose of the dreaded lurgy - in fact I'm in rude health right now - but it's a case of the novel ending syndrome.

NES hits writers when their books reach a critical point and they find that writing the book is an all consuming affair.  I hit a couple of NES points over the last couple of years when DLF reached that point, as I did with Project: Evil a little later.  Project: Evil NES point could have been less obvious to most of you because I was posting it as I wrote it, apart from the problem that the postings had caught up with the story so far and I needed the time to finish it, hence my hiatus from posting a year ago.

Well I've reached the NES point with Journeymen II, a sequel I started writing over two years ago and has stopped and started several times.  But in the last week all the threads started to come together - I never know exactly how a book will end until I get to that point myself - and I've been writing every night since.  The ending, by the way, is fast moving and heart thumping action and I'm struggling to put it down myself.

At the rate of writing I should be ready to go through full read through in a fortnight or so, then I've got to write the blurb, design the cover, reformat the various versions - Amazon and Smashwords versions plus the CreateSpace edition, publish and, well, if the Journeymen read  it I'll be damned.

So apologies to the regular readers for stopping the postings for the time being - normal service may be resumed sometime soon, but there are two other books closing in on the NES point in my SkyDrive account so I can't absolutely promise you it will be.  But a darned good read is appearing in an internet bookshop near you real soon instead.

I'll keep you informed.

------------------------------------------------------------------------------------

                                                          Visit my Book Website here



        Visit Project: Evil Website here                                        Visit DLF Website here

        Follow me on Twitter  - @RayASullivan

        Join me on Facebook -  use raysullivan.novels@yahoo.com to find me

Friday, 3 May 2013

Booking the Trend

I found myself in a traditional bookshop earlier in the week, and a very pleasant experience it was.  It was Waterstones' fine shop in Chester in the north of England and it oozed charm and class in a way that Waterstones seem to do so well.

I don't visit bricks and mortar bookshops that often - although the mock Tudor styling of the Chester branch lays some doubt on that description - as the vast majority of the books I buy are eBooks.  I don't even visit Waterstones' website much, possibly as they don't seem to stock my books there.  Boy, I can be petty.

Of course physical bookshops are up against it these days, what with the internet; Amazon, Apple, Barnes & Noble, Sony, WH Smith, Kobo and not to mention the pirates.  I discovered an attempt at pirating one of my books the other day, some scallywag who I think is based in Germany, decided to offer Digital Life Form for download.  I presume for free, at least the download button didn't mention a price.  I didn't try pushing the button in case I got more than a duplicate version of one of my books dumped onto my laptop - it's not like I haven't got a copy and I reckon I've had more than enough of unwelcome viruses over time.

Anyway I have a number of Google alerts set up that let me know if certain keywords or phrases turn up on the web overnight (it's overnight somewhere, whenever you want to start).  One of them flagged up an alert that DLF was available for download, and inspection of the web link revealed it wasn't Amazon.  A little digging on the internet - looking up the domain on the Whois register - provided me with the details of the website owner along with contact details.  One email and a few hours later and the site was suspended.  I'm sure there's other sites I'm unaware of - I only know what I know, for goodness sake - but one small victory for the little man.

Back in Waterstones I got to thinking about how bookshops are going to survive going forward.  The easy answer is that they won't, that eBooks will take over the reading world, and to some extent I suspect that is true.  But for at least a generation there will be those who won't embrace eBooks, no matter how well the technology evolves, so there will be a need to kill trees for some.  And while we're waiting for the technology to improve then there will be a need for some books to appear in physical format anyway.

In the UK, apart from a small group of specialist bookshops and a smaller amount of independent, stand-alone booksellers, there are four main physical sources of print books outside of the internet.  The first is WH Smith.  They are variously a Bookseller with an identity crisis, a Stationer with an identity crises or a Newsagent with an identity crisis.  Take your pick, WH Smith are likely to fall foul of the same problem that closed Woolworths down a few years ago - they are rapidly becoming the shop of last resort that people go to when they have to buy a present with no time to get something posted off the internet and there's only them and a frozen food shop open. I suspect the bag of frozen peas wins sometimes, too.

Then there's the supermarkets.  To be fair, nobody can compete on price in general terms, not even the internet traders.  But the books they sell are bankable - they're pretty safe and based on what people are buying in shovel loads anyway, so the range is a little restricted and perhaps too populist for some tastes.

Then there's the two remaining main sources, and they represent all that is good and bad with the traditional publishing model simultaneously.  First there's Waterstones, representing all that the traditional book industry does so well - professionally produced and edited books, selected as the books people will want to read and presented in an environment that is comfortable yet classy.  Then there's The Works, a clearing house of the books the industry got wrong, over-ordered, took a wrong chance on.  Don't get me wrong, I'm not against The Works, I'm against the decisions that means we only have a Waterstones in some major towns and cities but have The Works in virtually every medium sized town upwards, filled to the gunnels all year round.  The same decisions that rejects or ignores many good books because - well because they know better.  Which is why The Works is doing so well.

And now the UK book selling industry has reported that book sales are fine, bouyant even.  They noted that the real growth has been in eBooks but have trumpeted a very small amount of growth in print books too, citing it as evidence that the rumours of a decline in print reading being overstated. Maybe they're right, but I noticed that they made a big thing about 50 Shades leading the UK sales of print books, possibly making the difference that allowed them to crow about a minor growth, but I don't think anyone mentioned that 50 Shades started off life as a self published eBook and was only picked up by the print industry once it became popular.  They never gave it the chance to make The Works.

Now I'm not against print books - I sell my books as print options and I've been quite pleased with the modest sales I've made of them so far.  I even saw a second hand copy of Project: Evil offered for sale at about three times the price of a new copy the other day - it's not showing on Amazon anymore so presumably the owner decided he couldn't bear to part with it, or maybe I'm missing a major marketing opportunity.  Perhaps scaling back the print prices was a false economy.

No, I'd like print books to continue.  I firmly believe that eBooks are an evolutionary step and by the end of the this decade the print industry will be marginalised by the electronic version.  Apart from truly niche booksellers I think most of the independents will go the same way as the CB shops of the Eighties.  The likes of Waterstones will still continue, but they will need to be fleet of foot and if the Works are still thriving then the print industry will have failed to learn.  I've said before that Print on Demand (POD), the method used by Amazon subsidiary Createspace to produce my books in paperback, presents an opportunity.  It's not a very cost effective process - I've pared my royalties to next to nothing to keep the prices as keen as I can - and by the way, at the time of writing I note Amazon are offering my four SciFi novels at a £0.60 - £0.70 discount, which is more than my royalty for each book.  But if someone like Waterstones were to agree a deal with Amazon (or Createspace) for book orders then they could drive down the cost of POD and still have books printed to order.  No distribution centres stocking surplus books, no remaindered books.  They could stock copies of the bankable books, the ones guaranteed to sell day-to-day, replacing them literally a day after each sale, and make any book available at a fair price, ordered in store or on line, delivered to the nearest store and still make a profit.

And if they stock my books on their eBookstore as well then I reckon they'll have it cracked.


------------------------------------------------------------------------------------


                                                          Visit my Book Website here

        Visit Project: Evil Website here                                        Visit DLF Website here

        Follow me on Twitter  - @RayASullivan

        Join me on Facebook -  use raysullivan.novels@yahoo.com to find me

Wednesday, 1 May 2013

Parallel Lives chapter 91


John knew what was happening, not exactly, but enough to realise that it was nearly over. His battered body, a virtual quadriplegic save for a technical point regarding very limited amounts of movement in his left arm, was increasingly in need of medical attention. That and the extreme chemical cocktails that the scientists were pushing through him were resulting in a gross deterioration in his internal organs.
But it was more than that, John knew that the others, those who's heads he inhabited to see other places, were dying off. Their passing always hit him like a body blow, filling his head with their pain and their memories. And he knew it must be almost his turn; whenever he was sent to find other heads to sit in he kept finding blackness, nothingness, occasionally finding a head, but usually not finding anything new. Today he had received several of the most severe blows he had experienced; pushing his generally inert body back into the wheelchair with sufficient force to rock the front wheels off the ground. The last one had left John struggling for breath and feeling strangely empty.
The approaching event filled John with a mixture of fear and hope, so he suppressed as much of the information as he dared, never revealing about the deaths of what the scientists insisted on calling "his analogues".
He looked around, it was the now very familiar private hospital he had been visiting for the last two years, initially once a week, now almost daily. He enjoyed the visits, the care and the warmth of the nurses, the banter they tried to maintain despite the firm directives not to converse with him. Today it was Alice; he liked Alice, she always treated him right, stopped the doctors when they were hurting him.
The doctor was a new one to John, the first change this year and only the third change since he had started coming here. As usual the men in suits that transported him gave the new doctor the third degree, checked his documents, looked at him like a threat. It was a surprise that he didn't get new doctors more often, because they didn't let up on the hostile approach even with the regulars.
Alice took the opportunity to take some measurements, blood pressure, temperature, upper body mobility. She massaged his neck and spoke gently in the hope that this enigmatic young man would open up, reveal something about himself. John understood the rules, enjoyed the company of nurses such as Alice too much to risk losing it through breaking them.
He watched as the doctor headed for him, waited for the usual doctor routine that was so artificial; never approaching a patient directly, always circumspectly, examining notes and watching sideways before speaking. But this doctor was different, walking straight up, ignoring the notes held out by Alice. Smiling, he spoke quietly.
'And how are you today, John?' he asked, looking directly into John's eyes. John looked up, saw the grey flecked beard, remembered the face screaming at him to ‘hold on’ over two years earlier.
Jack!
*
Jack had expected the attentions of the minders, had looked for alternative ways of getting to John, but it had fallen to him, today. The group had found out about the newly recruited doctor who’d been security checked to the Nth degree. It was Jack's lot in life that with the addition of a beard he bore a passing resemblance to the new recruit, hence it was he that had to carry this out.
The doctor was being held at gunpoint three miles south of the hospital, in the digs he had managed to rent at extremely reasonable rates. His identity documents, hospital pass and security card had been removed and passed to Jack by courier; the best ID was the real thing they reckoned.
*
Jack had smiled at the questions, failed to be phased by the probes. He had done his homework well, had shown the new doctor around the flat himself, pumping him for background information while attracting him with such a ludicrous rental rate that the man willingly revealed anything he was asked about.
'The living room,' Jack had indicated with a sweep of his hand, 'with functional but comfortable furniture, I think you'll agree,' he had suggested. 'New job at the hospital, really?' he had pretended to be surprised, 'do you know Doctor Calder? Friend of mine. Dining room.' The soft interrogation had gone on for half an hour, Jack plying the man with promises of low, low rent, 'because I want a professional man in to keep an eye on my investment,' and suggestions that his interference would be minimal. And the man had happily talked about his new job, pleased that the landlord showed such interest in him and it was so inexpensive.
*
Jack saw the recognition in John's eyes, the mixture of pain, fear and joy. He felt the sadness inside, briefly felt the guilt of his childhood religion slip back in and haunt him.
John started to breathe faster, his pulse raced, the veins at the side of his head bulged. Jack sensed the nurse, still clutching the clipboard, moving closer, edging nearer, concern on her face. Jack turned suddenly.
'Why haven't you been keeping an eye on this patient, he's crashing,' he said, loud enough for the two suits to hear. He hoped desperately that his medical knowledge, culled from daytime medical dramas, was accurate enough for the next two minutes.
'Get the crash crew,' he barked, watching the two agents carefully while ripping John's top apart. Alice dithered, amazed at the speed of events, then rushed for the door.
'You, stick with her, I'm not convinced she's thinking straight,' he shouted at one of the suits. Alice half turned to protest, but continued out of the door, followed closely by one of the spooks. Before the second could cover the distance between the door and the patient Jack whipped the tube attached to the IV and slipped the syringe filled with Adrenaline, courtesy of Karen, and pushed, pushed as hard as the liquid and the vein would allow.
John's eyes rolled, his jaw dropped, dribble running down one side. A low moan emanated as the body started to shake involuntarily, limbs classified as being immobile jerking. Jack turned to the agent now on his shoulder.
'Where's that crash crew?' he asked, concern in his eyes, 'hold this, I'll track 'em down,' he said, forcing the agent's hand onto the IV. As he reached the door it swung open, pushed by a stainless steel trolley bearing monitors, de-fibrillators, drugs and needles. Jack stood back as the nurse, spook and two doctors followed. No-one noticed Jack slip out quietly while they attempted to revive the still twitching patient.
*
The Adrenaline had burned John as it entered his vein, sending his brain into a whirl. He felt his consciousness cry out an "all points bulletin", radiating across multiple universes, seeking analogues to warn. He felt his life and the memories of all the other lives he now was host to follow with the next wave, as the dimness fell and voices faded.
The pain of the electricity coursing through his body made no difference to John as his nerves involuntarily lifted him off the bed that they had roughly thrown him on. The darkness turned blacker than the blackest night, the silence was blessed. It went darker, darker.
Black.


--------------------------------------------------------------------------------

The End
Copyright Ray Sullivan 2011


The characters, places and events described in this novel are fictitious and any resemblance to persons, places or events, past or present, is coincidence.  All rights reserved

Parallel Lives is published in paperback and as an eBook


------------------------------------------------------------------------------------


                                                          Visit my Book Website here

        Visit Project: Evil Website here                                        Visit DLF Website here

        Follow me on Twitter  - @RayASullivan

        Join me on Facebook -  use raysullivan.novels@yahoo.com to find me

Monday, 29 April 2013

Parallel Lives chapter 90


Simon flung the intel reports back onto the desk and resumed his earlier pastime of staring out of the window.
The last two years had been good to Simon, ever since his transfer to head up the Special Projects Intelligence Department. Following what Gerald insisted on calling the ‘Debacle in Devon’, research efforts into the project had intensified, with the country being scoured for potential level three-ers and even utilizing volunteers that were high end level two-ers. The volunteers had not fared well, with two ending up sectioned and one dying from a reaction to the drug regime needed. However the pre-emptive intelligence gleaned had reaped bountiful rewards, especially with the worsening relations between Britain and America.
In fact the Americans had become increasingly paranoid as every attempt to break up British spy rings were thwarted just ahead of them. Their belief was that American Intelligence had been riddled with informers and they had consequently turned their considerable resources into a massive witch hunt internally. This in turn had aided British attempts to obtain previously secret information regarding American weapons systems the British had bought in years gone by when relations had been better.
Now Simon's superiors were baying for more of the same, the political landscape was strewn with rocks and boulders and they wanted the means to scale these obstacles. Unfortunately for Simon the pre-emptive intelligence was drying up, despite the endeavours of the scientists running the program. No matter what they tried, they kept running into blocked doors at every turn, or produced intel that was the equivalent of old news.
Simon turned back to the reports he had scattered over his desk a few minutes earlier and shook his head. He needed to produce some good intelligence soon, and it didn't look as though he was going to succeed the way things were panning out.


--------------------------------------------------------------------------------


Copyright Ray Sullivan 2011


The characters, places and events described in this novel are fictitious and any resemblance to persons, places or events, past or present, is coincidence.  All rights reserved

Parallel Lives is published in paperback and as an eBook

------------------------------------------------------------------------------------


                                                          Visit my Book Website here

        Visit Project: Evil Website here                                        Visit DLF Website here

        Follow me on Twitter  - @RayASullivan

        Join me on Facebook -  use raysullivan.novels@yahoo.com to find me

Friday, 26 April 2013

Parallel Lives chapter 89


Two and a half years later

Karen spotted Jack straight away, sat outside the Farnborough town centre cafe, newspaper folded in four. The brilliant, hot sunshine reflected off the sheen of sweat on his brow and the dark, black rimmed sunglasses as he looked casually around. She admired the younger haircut he sported, felt it suited him, as did the beard. But she still recognised him straight away; knew anyone half well trained looking for him would too.
Jack looked up, genuinely pleased to see Karen, the first time in over twenty months. Standing he pecked her on the cheek and signalled to the waitress inside that he was ready to receive the two coffees he had pre-ordered.
'You look well,' he opened. 'You look gorgeous' was what he wanted to say, but he needed her to wait until he had said his piece, had received what he had asked for. She flushed, nerves contributing as much as modesty.
'Thank you,' she replied, 'so do you.' The waitress flowed out of the cafe door, balancing the two broad, low cappuccino cups carefully. Karen and Jack sat as the cups were placed in front of them, Jack lifting his newspaper out of the way.
'How's the arm?' asked Karen. Jack raised the cup slowly, a slight tremble in the action.
'I expect I'll spill some before we're through,' he replied, smiling, 'but much better, thank you.' After a pause he continued, 'It was the best thing we did, getting me out of that hospital before they could get to me. I'm not convinced I'd be here today if we hadn't.' Through the dark lenses Karen could still tell the pain and truth his eyes were showing, she knew from the furrow above the thick frame he was wincing. The pause hurt both, allowed them to think about things that shouldn't have been and those that should but never would. Ever. Jack broke the silence while Karen sipped the hot, tart, coffee.
'The kids?' She lowered her cup.
'OK, miss you of course, never stop asking,' she answered, feeling the pain return.
'Alan?'
'Over. It was a mistake, I know that, a reaction.' Nothing more to say, nothing further to offer, it was history. Jack hadn't shown any emotion over that one. Karen looked around, surveyed the broad, hot pavement, the ground level car park beyond, the trees that separated the car park and the cafe.
'Why here?' she asked. Jack smiled.
'Why not? Did you know DTRU have set up shop near here, on the commercial site North of the town,' he asked back. Karen shook her head, incredulous.
'Are you mad?' she asked, 'They'll be looking for you.' Karen scanned around, expecting to see Government agents stood watching. Jack smiled, clearly amused.
'There's risk, sure, but one thing I've learned since joining the group is that the best place to hide is in plain sight. There are people watching us, but they work with me, and I doubt you would ever spot them,' he said, lifting his coffee cup up carefully. After another pause Jack re-opened the conversation.
'Did you bring it?' he asked. Karen nodded, reached down to the shopping bag she had placed carefully between her legs earlier and lifted out a crumpled paper bag. She placed it carefully on the table.
'I could lose my job over this, you know,' she said. Since the separation Karen had worked in the same hospital she had visited Sam Jackson in. Jack looked at, but did not touch, the loose package.
'I know,' he said quietly.
'And if they catch you?'
'They'll kill me. But if I don't do this,' said Jack, closing the distance between himself and Karen, lowering his voice, 'then the consequences will be much more terrible for all of us.
'We believe that the Government is gathering enough tactical advantage to wage war on America and win. We think that there are people inside DTRU and the Secret Service so fired up for a war that they will tell the Government anything that will persuade them to follow that path.
'I don't know if they are right or wrong about our capabilities, but I know a war will endanger you, the kids, me. And why? Because of ideological differences? A trade war? None of this is that important, we're coping quite well without our cousins.
'So I may die, that’s true, but I will almost certainly die along with those I truly love if I don't do this. It will strike a major blow to them, might just make them break step. We know they’re winning the intelligence battle and this’ll put a halt to that.' Jack realised that he had started to shake, the emotion of his cause rising through his veins. Karen was curious.
'Is Michael supplying you with this information?' she asked, aware that Michael had managed to retain employment with DTRU. Jack shook his head.
'No, they watch him like a hawk, or at least like to think they do. Anyway, they keep him away from the real sexy stuff these days. He's been working on water supply defence protocols since that botched terrorist attack on the Syrian capital, Damascus, two years ago, but he’s quietly recruiting scientists from within.' Karen reached out and placed her hand on Jack's, felt the shaking, trembling undercurrent that would haunt him for whatever was left of his life.
'Take care,' she said, standing.


--------------------------------------------------------------------------------


Copyright Ray Sullivan 2011


The characters, places and events described in this novel are fictitious and any resemblance to persons, places or events, past or present, is coincidence.  All rights reserved

Parallel Lives is published in paperback and as an eBook


------------------------------------------------------------------------------------


                                                          Visit my Book Website here

        Visit Project: Evil Website here                                        Visit DLF Website here

        Follow me on Twitter  - @RayASullivan

        Join me on Facebook -  use raysullivan.novels@yahoo.com to find me

Wednesday, 24 April 2013

Parallel Lives chapter 88


The wind and cold drove through Karen as she was led past the Puma helicopter, feeling the force of the down-draught and the consequent wind chill. Her scarf wrapped and unwrapped itself around her head a dozen times as she walked, following the man who had extracted her politely but firmly from the car.
He had asked questions about boats and America, none of which meant anything to her, and the noise of the rotors made clarification nigh on impossible. He led her to another man stood watching some commotion by the cliff edge; she looked again and realised it was Jack hauling John up. The second man turned as she approached, smiled and cupped his hand over her ear.
'Mrs. Howells, will Jack listen to you? All we want is Staples back,' he shouted, 'we're prepared to pay.' Karen took a step back, unable to comprehend what was happening. Why were they watching? Why not help Jack? The man was shouting in her ear again.
'Talk to him, tell him to let Staples go, we can cut a deal,' he said. Karen stared, unable to decide if the man was mad or blind.
'He's trying to save him, you fool, can't you see?' The man looked at her, looked at the eyes, started to wonder if he hadn't been misled. Suddenly, they both spun around, alerted by the noise, looking at the ginger haired man.
*
Jack couldn't understand what was going on, he was losing his grip on John and they were all standing talking, pointing, not helping. John had found a foothold and was beginning to climb up the face, allowing Jack to recover his stance on both legs.
Then he heard the sound, over the helicopter, over the wind, over the shouting and the screaming. The sound he had once loved, lived for; the sound he had subsequently feared, had caused him to scramble quaking in foxholes to hide from, had caused his friend’s head to explode in front of him.
The shot must have missed, because Jack knew he wouldn't have heard it if it had hit. He looked up, stared at beyond Karen and the two men, watching them spin around to face the ginger haired man, watched the two men run at and overpower him, push him to the ground.
*
Karen recognised the airforce man immediately, remembered the eye to eye contact in the car park that morning which now seemed like days, weeks, months ago. The two men had sprung, literally, and pulled the man down, dragging the gun away from him. She spun again, back to Jack, watched the red stain spread on his right shoulder, watched him realise he had been shot.
*
The cold had masked the pain, reflex had momentarily boosted his grip. But within two seconds Jack's right arm was useless, his grip gone. Looking first at the red stain, then downwards, he watched John slip loose.
*
John sensed the change, felt his hand slip further down. He tried to compensate, tried to hold onto the lifeless limb swinging above him but his footing failed, his weight dragging him down. He slipped beyond the fingertips, accelerated, watched rock pass within inches of his face. He struck a piece of jutting outcrop with his left pelvis, felt his body turn turtle, saw his arm smash and bend three times, saw the rocky base to the cliff face approach.
Lying at the base of the cliff, John felt the wet rocks cut into his face, the dribble and blood seep out of his mouth. The cold enveloped him, numbing the pain, easing the transition to darkness. Up above he heard shouts, his name called by voices he didn't recognise. Attempts to turn, to move at all, were futile. Not even his head would turn.
He hadn't expected to survive the fall, had realised when he had hung onto Jack's arm that if he didn't climb back up he would die. But he knew that wasn't the answer, not for him. It would just continue in some other situation, a new collection of memories, more nightmares to wake him screaming and soaked in sweat.
But he was here, at the foot of the cliff, immobile and bleeding. The voices were not those of the people he had known, had travelled down here with. Was this another reality, a slower death, a shorter fall resulting in a longer, fractionally longer, life?
John closed his eyes, felt the darkness surround him, allowed the voices to fade, fade away.


--------------------------------------------------------------------------------


Copyright Ray Sullivan 2011


The characters, places and events described in this novel are fictitious and any resemblance to persons, places or events, past or present, is coincidence.  All rights reserved

Parallel Lives is published in paperback and as an eBook


------------------------------------------------------------------------------------


                                                          Visit my Book Website here

        Visit Project: Evil Website here                                        Visit DLF Website here

        Follow me on Twitter  - @RayASullivan

        Join me on Facebook -  use raysullivan.novels@yahoo.com to find me